Story: Vidya Sinha (Vidya Balan) has only one obsession in life. She wants to see her teenage daughter Mini, who is paralysed waistdownwards, walk again. But, is this scenario as obvious as it seems? Or is Vidya an impersonator of Durga Rani Singh who is wanted for kidnapping and murder?
This sequel directed by Sujoy Ghosh after a gap of four years is a whodunit that definitely serves up intrigue, but fails to keep a tight grip on proceedings throughout its duration. So unlike the first part, that hit the ground running and set a benchmark in the genre, this one lacks the sharkbite. But you do invest in Vidya Sinha, a harrowed, working mum from Chandan Nagar in West Bengal and her handicapped teenage daughter, who like most middleclass people overcome hurdles to go through the daily grind. So much so, that when Mini goes missing and Vidya meets an accident, there is a sense of void.
Enter, Indrajit(Arjun Rampal), the coponthecase, who is the first one to discover that the woman in a coma resembles Durga (Vidya Balan again!), a school clerk from Kalimpong, who is a fugitiveontherun.
Here it is important to say that the film works because Vidya the mother or Durga the murderer are both believable and solid characters. As is the cop piecing the mystery together. And, to give out anything more about the plot is unfair.
Vidya, shorn of makeup and glamour breezes through her dual role in autopilot mode. Arjun impresses as the cop hankering for a promotion and is believable as the husband. If you have an appetite for thrillers (albeit, with some flaws) give this one a try.
That said, Kahaani 2 is certainly a onetime watch. A part that sticks out like a sore thumb, though, is the revelation of Inderjeet’s bitter past and its links with Vidya. Few portions of the narrative are so predictable, that you can easily tell what’s coming next. Given audience exposure to international cinema, the level of suspense and mystery unravels in the blink of an eye.
Besides the busy streets of Kolkata, this movie takes you to the hills of Kalimpong, a hill station in West Bengal. The cinematographer, Tapan Basu, has shot Kahaani 2 pretty nicely. The great part about the Kahaani franchise is the music, which hardly breaks the engaging flow of the story. Lyricist Amitabh Bhattacharya and composer Clinton Cerejo have done a fair job with Mehram and Aur Main Khush Hoon, which are not only melodious, but also take the story ahead.
All in all, Kahaani 2 is definitely below expectations, and will only excite you if you’re a Vidya Balan fan, or if you watch it as a standalone mystery, unlike the nail biting prequel, Kahaani.